St.
Mary &
St. Aethelflaed's Abbey Church, Romsey
Founded in AD 907
Saxon
History
Romsey Abbey was founded by King Edward the Elder in 907 for his daughter,
Princess Aelflaed, a nun at Wilton who became the first Abbess of Romsey.
There was an increase in interest in the female monastic life around this
time and the King probably wanted to make extra provision for widowed and
unmarried ladies of the Royal family. He had recently completed the
building of the New Minster in Winchester and perhaps he saw Romsey as its
sister foundation. The site was about equidistant from the nunneries at
Winchester and Wilton and may have been chosen for its potential
development as a defensive burgh. Little is known of this first Abbey,
though it may have received a grant of land in Kingsclere from King Edmund
the Magnificent in 943.
During the popular
reformation of the late 10th century, Romsey Abbey was completely
re-founded under the Benedictine Rule by King Edgar the Peacable (967). A
pious noblewoman named Merewenna was made Abbess and she was given charge
of the Queen's young step-daughter, Aethelflaed. Both Ladies were
successive Abbesses and were also reverred as saints. King Edgar took a
special interest in Romseya nd his young son was buried there. He gave the
nuns the right to choose their own Abbess after Merewenna died and he also
granted them lands in Edington (Wiltshire) and large woodland estates in
return for which the nuns handed over gifts of a "finely wrought
dish, armlets splendidly chased and a scabbard adorned with gold"
valued at £112 10s. Nobles like Ealdorman Aethelmaer of Hampshire (d.982)
also enhanced the Abbey's coffers around this time. The Saxon Abbey
complex was destroyed by Sweyn Forkbeard and his Viking soldiers during a
raid in 994. The nuns, apparently warned by divine intervention, were able
flee to the Nunnaminster in Winchester.
The Nuns may not have
returned to Romsey until the reign of King Canute around 1020. It is not
clear in what state they found the monastery buildings, but ten years
later the community was thriving, as a unique census of fifty-four nuns
under Abbess Wulfwynn shows.
The Abbey continued to
thrive until April 1539 when it was formerly disolved. The Abbey Church
was saved for future generations when it was bought, for £100, by the
parishioners of Romsey for use as their Parish Church in February 1544.
Notable
Burials
Princess Aelflaed, Abbess of Romsey, d.959
St. Merewenna, Abbess of Romsey, d.c.970
Prince Edmund of England, d.971
Princess St. Aethelflaed, Abbess of Romsey, d.c.995
Artifacts
A
beautifully embroidered stole given by King Athelstan to the Shrine of St.
Cuthbert at Chester-le-Street was discovered in the Saint's coffin when it
was opened at Durham in 1827. Embroidered on it, in Latin, are the words
"Aelflaed had me made for the pious Bishop Frithestan". The
latter person is Bishop Frithestan of Winchester and, though the lady in
question is usually assumed to be the King's step-mother, it could easily
have been her daughter, Princess Aelflaed, the first Abbess of Romsey. It
seems highly probable that the stole was made upon her instruction by the
nuns of Romsey, though the Winchester Nunnaminster is another possibilty.
Architectural
Features
Architecturally, Romsey Abbey is almost entirely of the Norman period and
a finer example, you will be hard pushed to find. However, amongst the
stonework are some extraordinary survivors from an earlier Saxon Building.
On
the wall of the transept outside the Abbess' Door, on the South side of
the Abbey Church, is a large high relief carving of Christ on the Cross
which dates from around 1000-1025. It may origainlly have graced the east
wall of the nave of the old saxon Church. Christ is upright with head
erect and arms outstrecthed in welcoming. While above, the Hand of God
appears from the clouds to acknowldge his son. The carving is protected
from the weather by a modern canopy.
Above
the altar in St. Anne's Chapel, in the South Quire Aisle of the Abbey
Church, is a second, this time low relief, carving of the Crucifixion.
With its Byzantine influences, it is considered by many experts to be the
oldest such sculpture in the country. In detail, the carving depicts
Christ upon the Cross with two angels watching over him. Either side are
the haloed figures of the Virgin Mary and St. John. Below, two Roman
soldiers thrust spears at Christ: one with a vinegar soaked sponge on the
end, in response to the former's cries of "I thurst". Christ's
victory over death is shown by the spouting tendrels which transform the
means of his execution into the Tree of Life. The carving was once gilded
and the eyes of the figures would have been highlighted with precious
jewels. The high quality of the workmanship makes it highly likely that
this was the actual crucifix recorded as given to the Abbey by King Edgar
the Peaceable in the 960s.
Archaeology
Discoveries
in 1900, as well as more formal excavations undertaken in 1975 and 1979,
have revealed much about the early monastic buildings at Romsey.
Three Noble Saxon
burials lying on beds of charcoal and dating from the early 9th century
have been discovered adjoining the present church. These are associated
with the packed chalk footings of an early building and indicate that
there was a church on this site even before the foundation of the first
Abbey.
When
the nuns moved to the site, early the following century, the earliest
building was replaced by an equal-armed cross-shaped church, 28m long and
wide, with a large apse at the eastern end. The base of the finely jointed
ashlar blocks, which were brought from the Isle of Wight to build the
Abbey Church, can still be seen just prodruding from where they were
excavated adjoining the north wall of the present nave. The
remains of the apsidal chancel can be viewed beneath the tower crossing
inside the abbey. Further discoveries show that the building would have
been roofed with Purbeck stone tiles and the walls would have had a
distinct pinkish tinge, both inside and out, from old Roman brick ground
into the mortar and plasterwork. There was more decoration in the form of
carved scrolling vine friezes. Residential buildings stood to the south.
Sources
Diana K Coldicott (1989) Hampshire Nunneries.
David Hugh Farmer (1987) The Oxford Dictionary of Saints.
Jill Ivy (1992) Embroideries at Durham Cathedral.
M R James (1925) Abbeys.
Judy Walker (1988) Romsey Abbey.
Judy Walker (NK) The Benedictine Nunnery of Romsey Abbey 907-1539 AD
Ann Williams, Alfred P Smyth & D P Kirby (1991) A Biographical
Dictionary of Dark Age Britain.
David M Wilson (1984) Anglo-Saxon Art. Article by
David Nash Ford
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